In this work the inspiration comes from a famous painting by Fra Angelico (1395-1455), a great master present in the most important museum collections in the world. In particular, this Annunciation is kept in the Madrid Museum. Claudia Ciotti wants to honor this great master of the past, re-proposing her work making it even more demanding in its execution. The use of ceramic glazes unlike the panel colors used in the framework of Beato Angelico, do not offer second thoughts or the possibility of correction once they are cooked in the oven. Each brush stroke must be decisive and precise, the color must be dosed in the appropriate way, so that it maintains exactly the shape that the artist has decided to give. Nothing is left to chance. Knowing how to mix ceramic colors with very different chemical characteristics also indicates a great experience in the difficult art of ceramic painting. It is a masterpiece of our day following the themes of our ancestors.
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